Share via Email Synopsis or not? Tristram Kenton Write what you know, write what you feel and remember you are writing for the theatre. These are the fundamental tips I would pass on to a first-time playwright.
Share via Email Words, words, words According to a recent report by Arts Council Englandthe amount of new writing produced by mainstream, subsidised theatre has more than doubled in the last six years.
Many of these plays have opened in large theatres, with impressive ticket sales. Few writers operate in isolation; nor do they turn up to first rehearsals with scripts fully formed.
With so much new work in circulation, how do script departments forge strong relationships with writers, to help them produce their best work? The literary department is part archive, part foundry, a place where scripts are commissioned, developed, bashed into shape and polished to perfection.
An increasing number are devised collaboratively, or based on improvisation, but they still need a script for the production crew.
Some writers evolve slowly, says Born: But, in one form or another, everything makes its way through the literary department: This is the slush pile; four or five unsolicited manuscripts land on it each day. The number is rising: A Facebook for dramatists Even theatres that specialise in new writing are struggling to cope with the volume of unsolicited scripts.
The Royal Court gets 3, and valiantly promises to offer feedback on every one. Writers should be able to listen to notes, but also write what they want. Your ability to develop plays really shifts.
The best situation is when someone sends you something that is good, and you do it. This aims to be a Facebook for playwrights, a destination for the 1,plus scripts the Bush receives each year.
And there are a lot of new plays. In the first few weeks, 1, people joined the site and some scripts were uploaded. Directors, agents, and students — as well as other writers — are encouraged to sift through these plays by title, author, even requirements such as cast size or character type.
Some writers have been nervous about sharing their work online, Rourke and her colleague James Grieve admit, but there are safeguards, one being that downloads are encrypted: Bushgreen users can let others comment on their scripts.
You can see the appeal: But, however well meant, is amateur criticism the most useful feedback for a budding playwright? Still, it seems unlikely that websites will replace literary departments any time soon; as in book publishing, they offer an alternative means of reading and discussing work, not a substitute.
And the Bush has no plans to stop reading manuscripts, nor to reduce feedback from its readers. And she believes that high-quality feedback remains the best way to develop writers, as well as encouraging them to stay in theatre rather than being forced to make a living elsewhere something the arts council report regards as a particular challenge.
If successful, Bushgreen could transform the way theatres handle new plays. Who knows — it might even make it on to those shelves at the National.For everyone that’s wanted to learn best practices for preparing your script in theatrical format, this is the seminar for you!
Sam Graber will show you how to create . He received his B.A. magna cum laude in Dramatic Writing and Literature from Harvard College and his M.F.A. in Playwriting from UCLA. Creator of the book Young Playwrights and the course Introduction to Playwriting, Jonathan Dorf is available as a script consultant.
Write what you know, write what you feel and remember you are writing for the theatre. These are the fundamental tips I would pass on to a first-time playwright.
During November I first shared my assembled answer to what standard script format is supposed to look like at the Playwrights’ Center, as part of their ongoing seminar series.
For everyone that’s wanted to learn best practices for preparing your script in theatrical format, this is the seminar for you! Your work is the writing.
In Script Magazine’s How to Write a Stage Play section, you’ll find tips on theme, premise, plot, outlining, formatting a stage play, writing dialogue, scenes and the differences between successful one . STYLE SHEET: “STANDARD AMERICAN FORMAT” Please use the following guide to make sure your script is in STANDARD AMERICAN FORMAT before you send it to the Young Playwrights Contest.
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